“Q! Film Festival as Cultural Activism: Strategic Cinephilia and the Expansion of a Queer Counterpublic,” Visual Anthropology (Forthcoming 2016).
“City and Desire in Indonesian Cinema.” Inter-Asia Cultural Studies, vol. 12, Iss. 4, 2011.
“Passing and Conversion Narratives: Ayat-ayat Cinta and Muslim Performativity in Contemporary Indonesia.” Asian Cinema, Fall/Winter 2010, 69-91.
“Contesting Indonesian Nationalism and Masculinity on Cinema,” Asian Cinema, vol. 18 no. 2, Fall 2007, 41-61.
“Pasir Berbisik and New Women’s Aesthetics in Indonesian Cinema,” Jump Cut vol. 49, Spring 2007.
“Tracing the White Ink: The Maternal Body in Indonesian Women’s Writing,” RIMA (Review of Indonesian and Malaysian Affairs), vol. 41 no. 2, 2007, 67-94.
“Performing the Multicultural Space in Opera Jawa: The Tension between the Nation and Transnational Stages,” co-written with Ugoran Prasad, Asian Cinema and the Use of Space: Interdisciplinary Perspectives, ed. Lilian Chee and Edna Lim. New York: Routledge, 2015.
“Cinema, Sexuality, and Censorship in Post-Suharto Indonesia.” Southeast Asian Independent Cinema, ed. Tilman Baumgärtel. Hong Kong: Hong Kong University Press, 2012.
Book & Film review
Documentary Review: Tales of Waria and Children of Srikandi. Pacific Affairs, Volume 86, Number 4, December 2013 , pp. 969-973(5).
Karen Strassler, Refracted Visions: Popular Photography and National Modernity in Java (Durham and London: Duke University press, 2010). 375 pp. ISBN 9780822345930. Trans Asia Photography Review, Volume 2, Issue 2, Spring 2012.
“Indonesian Women Filmmakers” in Dictionnaire des femmes créatrices. Paris: Editions des femmes, 2013.
“Cinema: Films Made by Women Screen Writers, Directors, and Producers in Islamic Cultures” (entry for Indonesia) in Suad Joseph, ed., Encyclopedia of Women and Islamic Cultures. Leiden; Boston: Brill, 2010.